• Irish Tracks of the Week – 16th June

    It’s Friday again so that means another very excellent week of new releases from the likes of Aoife Wolf, Slouch, Maija Sofia, Pat Lagoon, Finnian, Paddy Hanna and more Aoife Wolf – A Ringing in the Ear Slouch – I Got This Job Because I’m Too Stupid To Steal I GOT THIS JOB BECAUSE I'M TOO STUPID TO STEAL by SLOUCH Paddy Hanna – Nightmares Maija Sofia – Four Winters Thom Southern – Let Someone Else In Caoilian Sherlock – The Wheels Come Off Teenage Jesus Album by Caoilian Sherlock Pat Lagoon – Carousel Connor McCann – Lady Rest Jake…

  • Video Premiere: Slouch – I Get What’s Mine

    Rising tides, self-help gurus, pricey new age answers to the unanswerable, unfettered capitalism, shitposting, a new video from Slouch; these are the harbingers of end times. Out today – and directed by Hugh Cannon – the video for their odyssey on the alpha male phenomenon, ‘I Get What’s Mine’ is a maelstrom of all of the above and more. It channels the likes of Ween and Brainiac, condensed into the kind of omni-layered satirical slacker noise they’ve near enough mastered. Long one of the most interesting bands operating in the Irish indie rock sphere, Dublin quartet Slouch have been working away behind closed doors on new material,…

  • The Thin Air’s Top 100 Tracks of 2019 (#75-51)

    In the second of a four-part series, we continue our island-spanning, genre-leaping countdown of the best Irish tracks released in 2019, from Belfast alt-pop trailblazer Rebekah Fitch to a truly stellar track courtesy of Ordnance Survey. Miss out on 100-76? Go here to catch up. 75. Rebekah Fitch – Poison 74. New Pagans – Charlie Has the Face of a Saint 73. Casavettes – Imposter Syndrome Imposter Syndrome by Casavettes 72. Not I – Please, No Kindness, Please 71. Sorbet – Born Purple (feat. mickeykiiatein) Born Purple by SORBET 70. Autre Monde – On The Record 69. His Father’s Voice – In…

  • Stream New Irish Grassroots Compilation: Live @ Fennor Lane

    Tucked away amongst castle ruins and relics of history on the outskirts of Slane town, Mark Carolan runs the intimate Fennor Lane Studios. Like the encouraging number of grassroots Irish compilations and splits that have graced our Bandcamp accounts in recent times to act as connective tissue between previously-disparate scenes, Live at Fennor Lane was made with the same philosophy of shared elevation in mind, as Mark tells us: “The idea behind this album was simply to create a record worth listening to, and the live method of recording gives a characterful and natural feel to it. I hope we can bring new music to all the followers of each band involved in this project and help everyone to expand their audience. Aaaand it was great craic making it!” Featuring several of our favourite bands in the land, each more idiosyncratic than the last, contributions range from Slouch‘s submerged psychogroove, to the…

  • Stream: Slouch – Day Half

    We’ve been singing the praises of Slouch to anyone who will listen for an age now. Comprising guitarist and vocalist Conor Wilson, bassist Kev Shannon and drummer Malachy Burke, the Dublin trio’s shapeshifting, scuzzed-out sounds defy easy categorisation more than the vast majority of Irish bands all-too-swiftly referred to “alt-rock”. In truth, Slouch have also felt like a genuine alternative – a riff-wielding, face-searing, psychogroove-pedalling flipside – in a scene heavily saturated with FM-flirting, Award-Winning-Music-Blogger-appeasing guitar rock. The lead single from their forthcoming “very nearly finished” debut album, ‘Day Half’ sublimates the very best aspects of Slouch’s craft to five masterfully unpredictable minutes. Marrying dizzying riff…

  • Premiere: Slouch – Petty Sounds

    One of our must-see acts at this year’s KnockanStockan in Co. Wicklow this weekend, Dublin threesome Slouch are in a league of their own here when it comes to fuzzed-out, curveballing alt-rock that hits that rare sweet spot between scuzz, low-end groove, intricacy and abandon. A textbook case in point, brand new single ‘Petty Sounds’ – which we’re pleased to premiere below – will be familiar to anyone who has caught Conor Wilson, Kev Shannon and Malachy Burke live over the last couple of years. Littered with submerged arpeggios and eruptions of amp-choking noise, it’s the sound of walking through a…

  • Premiere: Slouch – It’s Not a Man Abandons Post

    Never ones to sit on an idea for too long, pragmatic, scuzzy South Dubliners Slouch have followed up previous double A-side their whiteboyfilingcabinetfaxmachinestapler release from March with another, titled It’s Not a Man Abandons Post. A lethargically-paced brace that reaffirms what we learned from its predecessor – that you’d never get a hard day’s work out of the lads – It’s Not a Man… sees Slouch really lean into their name on this one, conjuring more slack indie rock by way of Weezer and the Seattle sound this time around, the Loctite rhythm section proving more than adequate foil for Conor Wilson’s Xanax’d-out vocal. The release is the…

  • Premiere: Slouch – whiteboyfilingcabinetfaxmachinestapler

    Following up on their Feminine Elbows EP from last year, the pop culture-savvy scuzzy alt. rock trio Slouch channel some Office Space-era jobsworth apathy on their latest release, the two-track whiteboyfilingcabinetfaxmachinestapler. The first of five singles to be released over the coming months by the industrious triad of South Dublin fellas, they know too well the meaning of the suburban minutia and drudgery rhymed off on its constituent parts, whiteboyfilingcabinetfaxmachinestapler & whiteboycoffeemachinebaker. Building on their traditionally QOTSA & Pixies-esque desert & alt-rock leanings, the band have upped their dosage of indie & garage rock energy – à la self-titled-era Blur & Ty Segall – and laced it with even…